The Mob Glitch

cLEPTO_MANiCX · 20. Juli 2010

Hi,

Ich wollte euch heut mal "The Glitch Mob" vorstellen.
SUFU hat nix ergeben .. kann ja sein dass sie manche kennen.
Ich finde die Tracks von ihnen einfach übelst genial.

Glitch is a term used to describe a genre of experimental electronic music that emerged in the mid to late 1990s. The glitch aesthetic is characterized by a deliberate use of glitch based sonic artifacts that would normally be viewed as unwanted disturbances reducing the overall sound quality and are thus usually to be avoided in audio recordings.

History

The origins of the glitch aesthetic can be traced to the early 20th century, with Luigi Russolo's Futurist manifesto The Art of Noises, the basis of noise music. He also constructed noise generators, which he named intonarumori. Later musicians and composers made use of malfunctioning technology, such as Christian Marclay who used mutilated vinyl records to create sound collages from the mid-1970s. Yasunao Tone used damaged CDs in his Techno Eden performance in 1985, Storks crafted their sound with noise generators and game fx in 1987[4], while Nicolas Collins's 1992 album It Was A Dark and Stormy Night included a composition that featured a string quartet playing alongside the stuttering sound of skipping CDs.[5]

Glitch originated as a distinct movement in Germany with the musical work and labels (especially Mille Plateaux) of Achim Szepanski.[6][7] While the movement initially slowly gained members (including bands like Oval),[1] the techniques of Glitch later quickly spread around the world as many artists followed suit. Trumpeter Jon Hassell's 1994 album Dressing For Pleasure — a dense mesh of funky trip hop and jazz — features several songs with the sound of skipping CDs layered into the mix.

Oval's Wohnton, produced in 1993, helped define the genre by adding ambient aesthetics to it.[8] Though Oval may be the first in which the techniques of Musique Concrete were applied to the subtleties of Ambient, glitch is also informed by techno and industrial music.

The mid-nineties work of Warp records artists Aphex Twin (Richard D. James Album, Windowlicker, Come to Daddy EP) and Autechre (Tri Repetae, Chiastic Slide) were also influential in the development of the digital audio manipulation technique and aesthetic.

Klicke in dieses Feld, um es in vollständiger Größe anzuzeigen.

Quelle

Im Spoiler findet ihr ein paar Tracks :

YouTube

The Glitch Mob , Ooah - Heat Up the Night - YouTube

The Glitch Mob - Matty G - West Coast Rocks - YouTube

Hier noch ein paar links

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So , ich hoffe so nen Thread gabs hier noch nicht, ansonsten tuts mir leid
Und natürlich hoffe ich dass euch die Musik etwas gefällt

gReez

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